下面是小编收集整理的名画家梵高评价(共含6篇），仅供参考，希望能够帮助到大家。同时，但愿您也能像本文投稿人“咖喱鱼蛋蛋”一样，积极向本站投稿分享好文章。
名画家记叙文600字
画家出了名，便成了名画家。
名画家只要在一张宣纸上涂涂抹抹，盖上印章，一幅画就能卖上几千甚至上万元。
向名画家求画的人不少，但个个都是空手而归。
人们背地里骂名画家“小气”。而名画家听见了，也不会说什么，只是长空一叹。
原来，再之前，名画家上过一次“当”。名画家的朋友甚多，有一位老外，不远从美国赶来，向他讨画，说是收藏。名画家很是感动，当场作了一幅画赠送给老外。可谁知，这老外竟然把名画家的画以高价拍卖了。至此，名画家便很少赠画于人。
名画家的画也很少出卖，尤其是一些局长，科长，任凭他们出多少价钱。他说，这些人会玷污他的画，会玷污艺术。
无巧不成书。名画家有一孙子，孙子的女朋友不是别人，正是某局的一科长之女。
这科长得知自己女儿的男朋友，是市里著名画家的孙子，他特别高兴。能从名画家那儿讨几幅画来，自己的前途……
于是有一天，科长对名画家的孙子说，只要你送上几幅画，我就把女儿嫁给你。
这……恐怕不行吧。名画家的孙子为难了。
有什么不行，就当你下的聘礼吧。科长说。
那，好吧！名画家的`孙子想了想，说。
从科长家回去后，名画家的孙子支支吾吾地向名画家要画。名画家一口就拒绝了。
名画家的孙子知道爷爷的脾气，就不再敢向名画家要画了。
翌日，名画家的孙子趁爷爷不在家时，偷偷的溜进名画家的书房。他翻遍了所有的柜子，竟然没有发现一幅画。他不由着急了。忽然，孙子灵机一动，铺上宣纸，自己画起来了。幸好孙子从小受到名画家的熏陶，因此画得也不是特别的差。画毕，孙子盖上了名画家的印章，高兴得走了。
后来，名画家在一个拍卖会上发现了一幅画，此画上盖着自己的印章。他大吃一惊，此画糟糕透了，并非出自自己之手。但是，此画的价钱远远超过自己任何一幅画！
不久，名画家封笔了。
梵高，梵高！
梵高，梵高（一）
最后的一抹亮光，
痕过死亡的身旁。
涅磐的葵花，
独自遂道，
（二）
独自，重复着，
寂寞，轮回。
春天了，夏天了。
却再没有季节能够，
回顾那般的幻想。
（三）
流亡的太阳，
徘徊在大地，
亲爱的大地啊，
你用怎样的力量，
承载这样的疯狂。
（四）
以为安静了。
却是喧闹的开始，
红的罂素，
摇曳起伏的过往，
生活，荼糜着，
苦痛，无以自拔
（五）
那般你的热情，
却崩裂疮伤，
血淋的伤口，
舔舐夜的悲伤。
镜子太明亮，
关于阳光的`反照。
你寂寞的古怪的笑着。
（六）
停下来，
永远的，留在了所爱的身旁。
哺育着色彩的奔放，
和上帝哭笑。
猜测着是不是
又一个玩笑。
红头发的荷兰，
满世界的飘荡。
（七）
我们幸运的，
被眷顾着。
更远的远方。
提着永恒的背囊。
*3月30日关于梵高・不了解・诞生*
Always can not forget the junior high school when the first contact with the painting, listen to the teacher talk about Van Gogh, art books to see his sunflower, I can not tell where his paintings are good, but his paintings fascinated me, intoxicated. I watched over and over again, perhaps his enthusiasm infected me, I hope I was that sunflower, always toward the sun.
Later, slowly on Van Gogh has in-depth understanding of his nature of goodness, love life, but in life, repeated setbacks, hard times. He devoted himself to art, boldly innovated and absorbed the experience of Impressionist painters on the basis of extensively studying the painters of Rembrandt and others. He was influenced by Oriental art, especially Japanese prints, and formed his own unique artistic style. Creating a lot filled with life passion, full of humanitarianism works. “Sunflower”, “Starry Night” and “The Crows of Wheat Fields” were completed in the last six years of his life, expressing the anguish, sadness, compassion and hope in his heart. Through these works, I can see To a more realistic Van Gogh, a better understanding of the artist's spirit and thought.
Vincent William van Gogh, born in the Netherlands Zande Tezhen a Protestant pastor family. 24 years old in the Hague, London, Paris and other places of the ancient Piel painting shop clerk, and later became a missionary in the southwest of Belgium Borinat mine mission, sympathy and support for the requirements of poor miners were dismissed. Having spent a period of extreme despair and poverty, he decided to complete the liberation of the self in the search for art. After 1880, he went to school, to the Royal Academy of Fine Arts in Belgium to the Netherlands landscape painter Anton Moufu painting, but in the end decided to self-study. In 1886 years ago, his works are also in the exploration period, representative of “eat potatoes”, “textile workers” and so on. In 1886, Van Gogh went to Paris with his brother, a senior staff member of the Pueblo Painters, and met Toulouse-Lautrec, Gauguin, Pissarro, Seura and Cezanne, and participated in the Impressionist painters Of the assembly, inspired by the color and nurtured. In February 1888, he accompanied Gauguin, accompanied by Alfresco in southern France, for up to a year. This was the most important period of his artistic style, with the strong sunshine of the South and the towns, fields, flowers, rivers, farmhouses and churches that the sun shone, making him shout again and again: “Bright, Some! ”But after the two disagrees, Gauguin left, Van Gogh's spirit began to split. Van Gogh on December 23, 1888 after the onset, the condition is good and bad, when the light weight, again and again admitted to the hospital. In May 1889, he was sent to the Saint-Rémi neurological hospital, one kilometer away from Al, and became an out-and-out mental patient. But at this time, a miracle, Van Gogh's painting actually leaps and bounds, the rapid formation of style. However, the cost of this miracle is a soul self-immolation. In 1890, after a long-term hospitalization in the psychiatric hospital in Saint-Remy, the van Gogh returned to Paris, living in Orwell, on the banks of the Oise, where he was treated by Dr. Ghassé. Diligent painting, as a “portrait of Dr. Garcia”, “Orwell's Church” and so on.However, on October 27, 1890, after a quarrel with Dr. Ghassé, Van Gogh shot himself in the wheat fields and ended his life.
Van Gogh's life left a rich work, until after the death of gradually been recognized by people. The writers of these works highlight the pursuit of self-spiritual performance, all in the form of intense mental domination jump and twist. This art on the 20th century expressionism is very deep, especially Sautin and German performance painter, from Van Gogh's work draws a lot of important principles. He was the greatest Dutch painter with worldwide influence after Rembrandt. However, when he was still alive, a total of only sold a painting.
Van Gogh brings classic works, people first thought is often “sunflower.” It is Van Gogh in the bright sunny southern France made, is now hidden in the London National Gallery. On the screen that seems to be flowing from the heart of the golden wanton rendering, simple pottery vases, rough table cloth, layers of sunlight intertwined into the background, in the table cloth on the moving glow halo; full of vigor and vitality 9 sunflower in full bloom season, the disk is not fully exposed, even with a delicate green, while the other several flowers sunflower is old, mature and even about to decadent, incomplete petals, branches stiff and twisted tilt. This seems to imply a certain fate, although the strong sun bathing, sunflower can not escape the fate of the old decadent, as if everything is so short glory, the world can not be anything like the eternal light of the sun, short seems to be all things Of the fate. Van Gogh, however, imposes all the backgrounds, air, vases and tablecloths on the sun's golden yellow. When he finishes the transfer of paint from the palette to the canvas, he should have seen that the entire studio has been illuminated by the dazzling golden color of his face, his solemn expression , His spiritual world. In Van Gogh's pen, the flaming sunflower, not just plants, but with the original impulses and passionate life, they are more wild to show the artist's passionate desire for life and tenacious pursuit of catharsis Painter's enjoyment of life experience and permanent excitement.
Van Gogh, another representative works “Starry Night”, painted in June 1890, is now hidden in the New York Museum of Modern Art. “Starry Night” presents two lines of style, one is bent long, one broken short. Interaction between the two, so that the screen showing a dazzling fantasy scene. This is clearly out of reality, purely Van Gogh's own imagination. In composition, the riotous sky contrasts with the peaceful village. Cypress and horizontal mountains, the sky to achieve a visual balance. Dark dragon cypress witch as waving, the vortex-like nebula, the rotation of the size of the stars, and even the crescent are in rapid rotation. The rushing flow of the kind of fate is like the flow of life, everything is turbulent, crumbling. And the steeple of the church seemed so slim and helpless, its spire was almost drowned by the vortex of the night sky. Van Gogh's world is so fragile and helpless, and he fell into a vortex can not get rid of. The paintings are painted in blue and green in color, and the artist's movement is characterized by continuous, wave-like strokes of nebulae and trees. In his writing, nebulae and trees are like a ball of fire burning fiercely. , With a strong expressive force, left a deep impression.
Van Gogh wrote to his brother Dior in the letter “staring at the bright stars, I always could not help but imagination
Pina ... ... I can not help but ask myself, why the bright spots in the night sky can not be as black as the French map on the map so easy to reach it?We can get to Trusken or to Rouen by train, and to death there is a death journey. ”Van Gogh's whirling stars seem to us to be just But for the Van Gogh, the death is not a disaster, but to the tunnel of heaven, is a kind of spirit of the liberation of Van Gogh, the death of Van Gogh, The last painting, “The Crows of Wheat Fields,” is the last realistic and frightening portrayal of his life, and a testament to the stinging images he has left to the world, a disturbing picture: Three of the fork road cut into two equal parts of the wheat, the leftmost road almost presents a border state, in the middle of a road to infinite reverie S-shaped to the far, the end of the road is a confused and gloomy, next to the road Is full of respect for the green grass, another road to the right suddenly deviated and disappeared.It is like a person holding his arms, lying down, shoulders holding a harvest of wheat fields.The kind of exciting and comfort gold, As if the sun shines in the sanctuary, it ignited the joy of a person's heart, but at this time, the sky is disturbed by clouds covered, to be exact, it is a group of flying shadow, it is a group Crows, pure black crows and distant haze as if the black witch of the witch, like cover less and less sunshine and wheat fields of light.It is a contradictory mood, is a deep vaguely Fear .This is the brink of death before Van Gogh's world, his eyes of the world is divided into two colors, one is exciting golden yellow, it is his dedication to the spirit of the sun color, the other is His fear of the shadow and disappointment, he lost the final confidence in the world, his mind was cut so disintegrated, a wheat field so fall, a piece of sunshine and thus broken.
Van Gogh to his own life as a bet to paint, like a thorn bird with the soul and blood to write the final chapter of life. In this painting must express Van Gogh's “sadness and extreme loneliness”, his outcome seems to have long been doomed. Then, in Orville, in the summer of July, he pulled his trigger towards his chest, and at the moment of his fall, his soul was upon the eternal golden earth, and the frenzied genius painter was at last free.
I would like to pay tribute to the artists I love the most, Van Gogh ups and downs of life, especially in the last years of life, his spiritual world has been completely broken. As the sea, the storm, the ups and downs, not much smooth land. But in contrast, it is his love of art. In the face of irresistible disease, he said: “There is no beauty in the end, there is no use, it is doubtful. But how do? Some people even mental disorders, but still love nature and life , Because he is a painter! ”“ The face of a destroyed me, so I am afraid of the disease and my faith will not be shaken! ”However, such a painting is paranoid belief in the“ madman ”, with its short Life to us to depict his love of life and the pursuit of life, tell of his passion and ideals, to our lives add eternal color.
Vincent van Gogh, a think of it to contact his piece of fanatical sunflower painter, Van Gogh read. I have never studied his paintings carefully, and have always had a feeling of sympathy for his talented and abjectionist artists. Today, finally the Owen Stone's “desire to live” Van Gogh read, from a new perspective to know him, and changed his sympathy that attitude, for the respect and look up. With tears, you want to record something. Tears not because of his miserable life, or the poor end, but because moved, an extraordinary vitality of the move. A kind of love of life and moved to tears.
His life in the wandering through, he did not have a home, in addition to his brother Theo outside the exclusion of their loved ones. There is no source of income, and only the Theo, the selfless love of his brother, from the initial month to send him 50 francs to 150 francs a month later, Theo's life with his brother did not separate from such a Relation. In the van Gogh six months after the death of a few days before and after, Theo also went to accompany his brother. Van Gogh to painting around wandering, whether it is the first gray Bo Nina, or find the direction of the art of Niuenan, he is four people who suffered supercilious. In the earthly life, he is not good at, too simple, he does not follow the rules of life in the world, in the art of the road he took to heaven, but in life he has been in hell (with our ordinary people's eyes ). No matter what kind of suffering, no penny hungry for ten days, more than a fever, or painting all day and was considered a madman, he can bear, and finally let him go to the path of self-destruction is art Inspiration of failure, after reading “Van Gogh after reading.” Although living in the most difficult of the earth, he has never felt so hard, as long as he can draw, he can draw, he is very happy. Finally, because of schizophrenic torture, leading to his inspiration failure, and then shot himself, it did not make people feel dark, but that he longed for the power of life has always existed. But he himself and nature become one.
In his work, he has always wanted to express his thoughts, his love of life, worship of nature. Flashing stars “Starry Night”, publicity Sunflower “Sunflower” is probably our picture books in the textbook is not unfamiliar to some of the paintings, which stars were swirling rotating stars, is full of shining power of light, dazzling yellow Sunflower is a hand to the sky longing for life. I could not express Van Gogh's painting intentions in such a messy way, but I would like to copy the manifesto at the Impressionist meeting to promote him and his fine artistic expression:
We see the character is more important than the ugly. To see the pain is more important than the beautiful, naked to see the harsh reality of all the wealth is more important than France.
We accept life in its entirety, without any moral judgment. We consider prostitutes and countesss, gatekeepers and generals, peasants, and cabinet ministers alike, because they all meet the requirements of nature and are part of life.
As Van Gogh's first friend of a painter said, the talent needed to nourish the pain of art. Perhaps it is because of poverty in life, inequality, only to create his relentless pursuit of artistic expression of the road. His love of life will never give up, until the spirit of schizophrenic torture to disappear.
As a kind of high above the emotion, I moved to Van Gogh's love of life, the art of fanaticism. This alone, superficially finished reading after feeling, in order to commemorate this artificially born soul.
Speaking of Van Gogh, people regarded him as a crazy genius, he completely by intuition, to find a way, the inner emotional outbreak on the canvas. His life is incredible story, his father said he was eccentric, friends said he could not live with a room, even the most intimate brother also do nothing for him. He has talent, but because of too crazy and pale; his sincere feelings, but because of no disguise of sincerity was as mental disorders; his art has a persistent and fanatical pursuit, but because of his weird style and not be accepted . Until after death, only some of his talent greatly appreciated, this is Van Gogh's unfortunate, it is human sorrow.
Van Gogh, the full name of Vincent Van Gogh, March 30, 1853 was born in Brabant in the north of the Netherlands, a small village called Flotte Gundt.His father Duolidisi · Van Gogh is a honest honest, benevolent love of Calvin sect pastor; mother Anna · Kornilia · Carpentus beautiful and kind, came from a prominent family in The Hague. Many of Van Gogh's patrilineal families were engaged in painting-related work, and his three uncles were famous painters. It should be recognized that the loving parents and the fine arts received from childhood are important influences on Van Gogh's good conduct and the formation of artistic sensitivity.
Van Gogh almost no formal training in any painting. To get the canvas, oil painting and painting tools to run around day after day, the spirit is also constantly in a state of contradiction, the pursuit of artistic perfection and under pressure, even if he is not the direct cause of illness later, but also to his Life tragedy planted seeds. Van Gogh is interested in the reproduction of the real emotion, that is, he is to express his feelings of things, not the visual image he saw. Van Gogh classified his work as a different type from that of the impressionist painter: “In order to express myself more forcefully, I am more free to use colors.” In fact, not only is color, , Shape and proportion are also changed shape, in order to show the world between a very painful but very real relationship. Van Gogh is a true sense of the artist, which is also known as the performance of the artists shared the characteristics. Van Gogh, when it comes to his creation, sums up this feeling: “For it, I take my life to risk; because of it, half of my intellect crashes;
Van Gogh's passion, from the world in which he lives, from the people he knew people do not contain the strong reaction. Van Gogh's work is ahead of him far beyond the pace of the times, highly avant-garde, forward-looking. But it is a great sorrow for the painter himself, he painted with modern consciousness, the same need to have a modern appreciation of taste and aesthetic ability of people to see painting, painting. However, ”acquaintance all over the world, friends can be a few people“ This is really a sad untimely. Van Gogh life poverty, the only appreciation of his work is his brother - Theo. Theo is Van Gogh's supporter of life, not only from the spirit, but also in the material Van Gogh gave a great help. It is Theo became a painter in the material and spiritual hope and pillars, so that painters and pain in the pain of the double torture to continue to adhere to the painting until the end of their lives. The most touching is Van Gogh after the death of six months, Theo is also sad over the death! It was said that Theo is Van Gogh and live in the Theo died after they buried them in Orville.
Van Gogh's emotional performance does not exclude the role of rational thinking on the creation, he wrote in a letter: ”Do not think I am willing to work hard to make themselves into a mad state.On the contrary, remember that I Attracted by a complicated calculus that led to the rapid creation of a fast-moving painting, but which were carefully calculated in advance. “Van Gogh's creation is a grooming, a rallying, The resulting form of creation, showing the intense process of emotional generation, rather than just the emotional state of mind and description.
Aristotle said: genius figures are different from ordinary people. Great writers and writers are often great lunatics. We can not speculate on the painter's muzzle at the moment of what his mind, perhaps he thought of his life failed emotional life, but at least there is his brother Theo affection he was pleased; perhaps he thought of his life Art exploration in the misfortune, but at least he left behind 850 paintings and 800 drawings to wait for a hundred years after the people know and interpret; perhaps he never thought to buckle the trigger, for him, ”Life is pain“, death is relief.
This genius is rare, even in the liberal arts of Western countries, is still not understood, let alone in China's education system. Our ancestors have been away from us, and we are still alive without fear ”"
梵高传（节选）
教学建议
一、课文概述
本文介绍了梵高创作他一生中最重要的作品之一――《种土豆的人》的艰苦过程，表现了梵高执著如一的艺术追求和不断探索的可贵精神。人物传记是必须以史料的真实性为基础的，但并不排斥生动、细致的描写。这篇文章最大的特点就是恰如其分地运用了细节描写和心理描写，使之能很好地为表现梵高的精神气质服务。
二、结构内容
第一部分（第1段至第7段）这一部分记述了梵高在创作《种土豆的人》时所遇到的外在的不利环境和梵高自身在艺术上的困惑和缺憾。第1段至第3段叙述了梵高在纽恩南处于一种敌对氛围中。当地的神父已经对他下了逐客令，何去何从成为一个重要的、迫切需要解决的问题。第4、5、6段介绍了梵高作品的基本内容及其作品的不足和缺陷，梵高认识到他的作品没有一件可以真正地表现农民的精神实质。这促使他下定决心继续留在纽恩南。
第二部分（第8段至第18段）这一部分主要记述了梵高在11天内的创作活动。第8段介绍了他第一次在德格鲁特家画全家吃土豆情形的状况。第9段至第17段介绍了他第二次作画的状况。这11天里，他一直在作画，也一直在探索追求。“表现劳动者怎样老老实实地挣得自己的食物”即表现出农民的精神本质和性格特征是他的创作目的。为了这一目的，他全神贯注，不顾一切地作画；并一再地推翻自己的作品，这都源于他对自己的严格要求及他在艺术上的崇高追求。第18段叙述了梵高作画的整体情况，每天都干得很晚并总是进行新的尝试，反映了他不断探索，坚持不懈的伟大精神。
第三部分（第19段至第29段）记述了《种土豆的人》的诞生过程，表现了梵高对艺术的执著。第19段叙述了梵高极度亢奋的情绪状态。“他兴奋得要发狂”。第20段到第29段具体详细地记叙了梵高是如何创造《种土豆的人》的。他尽了最大的努力又一次地面对着德格鲁特一家作完了画。但他回到画室后，审视自己的作品，发现它还是缺乏内在的精神，他意识到他又失败了。但他并没有因此而放弃，经过思索，重新工作，终于找到了作画的真谛：通过描绘自然来表现自己的个性。这一意识看起来来得太突然，却是在长期的坚持创造，坚持思索中，经过长时间的酝酿准备才获得的。在第27段中作者描写了《种土豆的人》的画面内容。那是充满安宁的图画，这就是梵高真正想要的。“捕捉那正在消逝的事物中存在着的具有永恒意义的东西”正是他的艺术追求。因此他在作品完成后得到了彻底的安宁，并带着这幅画开始了新的艺术征程。由此可以想见这幅画创作的成功对梵高在人生和艺术上的重大意义和价值。
三、文中刻画人物的方法
1.正面描写：又可细分为外在行为描写和内在心理描写。在本文的`学习中要注意动作描写和心理描写，尤其是关于梵高的心理描写，从中可以窥视其骇人的人格力量。
2.侧面描写：要注意韦尔斯神父和德格鲁特一家对待梵高的不同态度，这实际上象征了对前驱者的两种截然不同的态度。作者正是把梵高放在这样一个复杂的矛盾错综的背景下来刻画的。
3.虚实结合：应该说作者刻画的梵高这一形象，基本上是符合历史真实的，但也加入了不少合理的想像。
四、文中的心理描写
文中有不少心理描写，如第5段是整段的心理描写，真实地反映了梵高在孤独艰苦的环境下沉重、迷茫、苦闷的心理状态，也表现出他对艺术的执著和忘我。第17段写道“一种半是愤怒半是无能为力的情绪揪着他的心”，这里是对他在失败后极端痛苦的心情的真实形象的说明。正是他对艺术的执著和认真才令他如此的痛苦不堪。
五、文中的细节描写
文中有一些细节描写，如第6段，在他下定决心继续留在纽恩南后，他“瞟”了一眼日历，这个“瞟”字表现了他的果断，他已决定在作品没有达到令自己满意之前，决不放弃，所以他不再考虑其他东西，而只考虑与他作画有关的事情。第22段的一个细节：他把烟斗中的烟末吸得一点不剩，与前面的“点燃了烟斗，站在那里凝神注视着自己的作品”相照应，由此可见他思索时间之久。第23段，梦高面对自己在纽恩南的最后一幅画还是不满意。在长久的思考后，作者写道“他从沙发上起来，扯下画框上的画布扔到角落里”这一个“扯”字有力而迅速，表现出他已有了新的想法，又一次否定了自己的作品，果断坚定。第28段写道“他注视着自己的作品。他笑了”，一个“笑”字充分反映了他引以为豪的成就感与彻底的满足感。
六、理解文中的虚构
传记文学既然作为一种文学样式，就应该允许有虚构的成分，这也可以说是～种再创造。但是这种再创造一定要符合人物的性格，要达到更高的真实――心灵的真实。比如本文虚构了韦尔斯神父与梵高的冲突，并通过斯蒂思母亲的四强化了这种冲突，意在一种严酷的环境里将梵高对艺术的执著表现得更为淋漓尽致。再比如本文有多处梵高的心理描写，这显然是虚构的，但我们却不能说它不合理，因为这些描写真实地表现了梵高的精神世界。正是这种真实与虚构的完美结合，才使得梵高这个形象如此丰满、如此典型。这很容易使我们想到《史记・高祖本记》，其中的不少描写我们可以断言是虚构的（无怪乎有人称《史记》为“谤书”），但我们也可以断言这些描写从某种意义上来说是更为真实的、更为典型的。
七、抓住人物传记特点进行教学的建议
分析文章前应先对梵高的生平作一个简单的介绍。作为一篇节选的文章，讲课之前还应当适当介绍该节的前后情节，让学生对梵高有较为整体的了解，以便更好地学习本文。作为一篇传记文学作品，本文兼有小说的特点，因此在分析文章结构时，可运用小说分析的方法，从情节的开端、发展、高潮、结局入手，这样可以帮助学生更快地理解课文。与前面所学的三篇课文有较大的不同，本文作者运用文学创作的方法，通过刻画人物来表现人物的内在精神。在讲解课文时，应抓住本文的这一特点，通过分析人物描写，让学生认识、了解梵高的性格特征和精神气质。在前几篇传记的学习中，我们强调了传记对史料真实性的要求。而本文却有作者的虚构。因此在讲解时应当注意让学生了解本文是怎样将史料的真实性与描写的生动性完美地结合在一起的。梵高是一位世界著名的画家，师生可以在课外查找一些他的绘画作品，上课时展示给大家，了解梵高的创作风格。
教学设计示例
第一课时
一、导入 新课
从同学的绘画兴趣入手，指出绘
★ 梵高的作文
★ 梵高向日葵赏析
★ 梵高的自由作文
★ 最全的梵高名言
★ 梵高向日葵的周记
★ 评价
★ 美食评价
